|
1
|
Up A Bit, Down A Bit
|
Up
the Major Scale to the fifth, back to the first, then repeat the
pattern starting on the second. Helps develop agility and accuracy
with the intervals of this most common of scales. |
2
|
Halfway Up Slowly
|
Major
Scale again, this time leaping increasing intervals. 1, 2, 1, 3
etc. Up to five and back down again, then continue the pattern a
tone higher. |
3
|
Halfway Up Quickly
|
Good
for agility but make sure you don't do it 'on the throat'. Quite
long and fast... quite a challenge! |
4
|
Going Down Slowly
|
Dropping
down the Major Scale, trying not to hold the 'tension' of the
first and highest note in the lower notes. Free and easy - we
hope. |
5
|
All The Way Up
|
Staying
with the Major Scale and similar to exercise 2
but this time going all the way up to the octave. Be sure to
maintain support for the intervals up near the octave. |
6
|
Jumping & Sliding
|
An
octave leap with a slur back down. Looking for accuracy and
comfort on the leap and smoothness and freedom from constriction
on the slur down. |
7
|
Little By Little
|
Introducing
the Chromatic Scale. This one is quite fast and fine. Make sure
that your semitones are semitones. Keep the air flowing,
don't control in the throat. |
8
|
Happy Sad Blues
|
Arpeggios
on Major and Minor triads being careful to make that semitone
distinction. This one in harder than it at first appears. |
9
|
Sad Happy Blues
|
The
reverse of exercise 8.
This one starting with a Minor triad. |
10
|
Tritone Blues
|
Practise
that most awkward of intervals, the tritone or flattened fifth. |
11
|
Whole
Tone Blues
|
Utilising
the Whole Tone Scale. This one uses very long phrases so you'll
need to make sure your breathing is in shape. |
12
|
Diminished Blues
|
The
Diminished Scale that alternates semitone and tone intervals - in
this case starting with a semitone. You'll need to get your ear
used to it and again, long phrases so breath properly! |